ModPo essay #4: Prepositions and Infinitives: A Mayer Experimental and Randomized Index
to a fleeting moment of awe and dread to a world that’s paranoid… to alight and pollinate-- to assimilate 20th century ideas To attain the final, greatest goal? to avert the difficult question. To be denied, too pure to not be sure To be seduced by the appetites and desires to break the chains of sin and immorality. To bring us to this time and place? To call my father’s gods, subdue To choose one is to choose them both: to close my eyes to come into existence, to survive to convert filth in the atmosphere to correct the incorrection - to dance to; but I fake it, trying to stay in step, to desire your company To earn by birth what we had been endowed. to ease their conscience – to escape the bonds of slavery mentality, to everything’s reality. To glory and to honor, let not the fleeting summer’s wrath To God, to plead for strength to understand to grow, to learn all, to comprehend To guide, to entertain, and to enthuse. To heal itself, be born anew. To help us in our need…” to integrat...
ReplyDeleteAaron Douglas
(1898-1979)
Aaron Douglas was the Harlem Renaissance artist whose work best exemplified the 'New Negro' philosophy. He painted murals for public buildings and produced illustrations and cover designs for many black publications including The Crisis and Opportunity. In 1940 he moved to Nashville, Tennessee, where he founded the Art Department at Fisk University and taught for twenty nine years.
"...Our problem is to conceive, develop, establish an art era. Not white art painting black...let's bare our arms and plunge them deep through laughter, through pain, through sorrow, through hope, through disappointment, into the very depths of the souls of our people and drag forth material crude, rough, neglected. Then let's sing it, dance it, write it, paint it. Let's do the impossible. Let's create something transcendentally material, mystically objective. Earthy. Spiritually earthy. Dynamic."
Aaron Douglas
Amy Helene Kirschke, 'The Evolution of Douglas's Artistic Language', Aaron Douglas, Art, Race & The Harlem Renaissance.